Category Archives: Historic Sites

Playful Costumes From the Past, Just in Time for Halloween

Halloween is almost here and that means costumes! Maybe you’re putting the finishing touches on your own or your child’s. Maybe your creation has been done for weeks and you’re ready to show it off. Maybe you’re about to close this window and type “easy Halloween costumes for sale, next-day shipping” into your search engine. Or maybe all of the costume chatter simply brings back memories of costumes from years past.

Costumes are nothing new. Worn for parties or plays, they have been popular throughout history. Explore some costumes that were photographed and featured in the family albums from Clermont State Historic Site in Germantown and John Jay Homestead State Historic Site in Katonah. (Bonus: Some costumes were saved and are now part of their historic collections!) 

Two young girls stand next to each other on a columned porch. They wear matching hats, sweaters, dresses, and shoes. Both are holding carved pumpkin jack-o-lanterns.
Honoria and Janet Livingston on the porch at Clermont State Historic Site holding jack-o-lanterns (1915). Photograph in photo album. New York State Office of Parks, Recreation and Historic Preservation. Clermont State Historic Site. Gift of Honoria Livingston McVitty, CL.2000.211.20.F 
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Autumn in New York (State Parks and Historic Sites)

Short and sunny days, crunchy leaves, honking geese, the strong desire for pumpkin spice: it must be fall! Temperatures are just right for hiking, biking and outdoor adventure. It’s a time of year that sparks inspiration, curiosity and wonder. Our parks and historic sites are here to help you make the most of it! Read on for ideas on how to have the best fall ever.

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At Glimmerglass State Park, America’s Oldest Covered Bridge Turns 200

This year’s 200th anniversary of the Hyde Hall covered bridge in Glimmerglass State Park near Cooperstown, the oldest covered bridge still standing in America, is being celebrated on October 11, 2025. It’s all traceable to one man: George Clarke.

Portrait of George Clarke, seated at a table with a book, dressed in early 19th-century attire, with a curtain and landscape view in the background.
Portrait of George Clarke, painted in 1829, by Samuel F.B. Morse. In the collection of the Saint Louis Art Museum. Clarke commissioned Hyde Hall and the innovative covered bridge leading to it, now the oldest covered bridge still standing in the country.
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Returning Home: Solomon Northup at Saratoga Spa State Park

A statue of abolitionist and writer Solomon Northup, whose story was told in his memoir and the Academy Award-winning film Twelve Years a Slave, has provided a space for reflection at Saratoga Spa State Park this summer. The 13-foot bronze “Hope Out of Darkness” sculpture was unveiled during a July 10 ceremony attended by Northup descendants, area officials and community members on the lawn in front of the Lincoln Bathhouse.  

The Solomon Northup “Hope Out of Darkness” statue is on view in front of the Lincoln Bathhouse (65 South Broadway Saratoga Springs, NY 12866) through Oct. 19, 2025.  

Northup, a free-born Black American born in Minerva, NY, lived in Saratoga Springs with his wife and children for about seven years when he was tricked into joining a traveling circus. This sinister ploy led to Northup being kidnapped in Washington, D.C. in April 1841 and sold into slavery.  

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A Preview of Ganondagan’s Indigenous Music & Arts Festival

Ganondagan’s Indigenous Music & Arts Festival is a vibrant celebration of Indigenous cultures, held annually at Ganondagan State Historic Site in Victor, southeast of Rochester near Canandaigua. The festival began in 1989, just one year after Ganondagan was officially established as a New York State Historic Site. Originally named The Anniversary of the Dedication of the Site of Ganondagan, the event was later renamed The Native American Dance & Music Festival. In 2019, it adopted its current name: Ganondagan’s Indigenous Music & Arts Festival.

The two-day festival draws thousands of visitors from an array of cultures. Festival organizers view the event as an opportunity for cultural exchange.

In its early years, the festival was a one-day event, drawing just 200–300 attendees, with only one 40×40 tent and no volunteers. Today, it has grown into a two-day celebration that welcomes over 3,000 visitors and relies on the support of more than 125 volunteers. The festival now features multiple tents, including a large performance tent, and includes 25–30 Native vendors, Indigenous and non-Native food vendors, art demonstrations, Haudenosaunee (Six Nations) dancers, contemporary Indigenous performers, storytellers, a Native Arts Market and children’s activities.

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